Founded in 1919, the Bauhaus attracted numerous female students who, like their male counterparts, first completed the preliminary course before continuing their training in the various workshops. Female students usually received a recommendation to study weaving, but a few were also accepted into other workshops based on their own requests. Many of them created unique works that still shape our image of modernism today. Nevertheless, the achievements of female members of the Bauhaus – at that time and in the later reception of the Bauhaus – have not been appreciated to the same extent as those of their male colleagues. For example, with the exception of Gunta Stölzl, Gertrud Grunow, Marianne Brandt and Lilly Reich, the teaching staff were almost exclusively male. When looking at the situation of women at the Bauhaus from today’s perspective, it is important to remember that the Bauhaus masters were all born in the 19th century and shaped by a patriarchal society. Measured against the conditions of that time, women at the Bauhaus were able to live and work more freely than at other institutions.